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While empathy is first to go in 'When the Bough Breaks' and its Screen Gems predecessors, there is. On the other hand, it should be noted that “When the Bough Breaks” isn’t entirely bereft of surprises. By the force of sheer tastelessness, the movie succeeds in 1.) pregnant woman hormone-shaming and 2.) continuing the film series’ aggressive lack of nuance, for the sake of letting psychos stimulate us and then get what is coming to them. How generic? Consider: A pet cat is pointedly acknowledged so many times in the first and second acts that only the most clueless viewers will be stunned when it’s revealed that, sometimes, nine lives are not enough. (Or at least as much heat as two semi-nude people can generate during a lovemaking scene in a PG-13 movie.)Ĭassar is slightly more successful when it comes to building suspense during the mandatory scenes of violence and danger, despite his reliance on shocks, setups and payoffs best described as generic. But despite Sinclair’s impressively smooth transition from girlish innocent to alluring sexpot, her character’s attempts at seduction fail to generate much dramatic tension, since there’s never any real doubt about John’s loyalty to Laura - primarily because Chestnut and Hall generate so much heat together. Working from a script by Jack Olsen, director Jon Cassar (“Forsaken”) dutifully endeavors to charge “When the Bough Breaks” with alternating currents of apprehension and eroticism. And as her pregnancy progresses, she grows ever obsessed with forming closer ties with the inconveniently married father of the baby she is carrying. Trouble is, Anna isn’t quite as virtuous, or as harmless, as she seems. When Mike appears to dial it up from creepy to abusive, the Taylors invite Anna to move into the guest house of their lush Garden District home.